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Most of us have grown up watching bollywood movies which have no doubt left a lasting impression on us. But is it possible that there is a systematic attempt to by certain people to break the fabric of Bharat and instil Adharmic behavior into us and dilute our culture, values and belief systems related to women, sanctity of marriage and more? Here are few movies with Shah Rukh in lead role which exactly did that. Is it a coincidence that his movies continue to have the same pattern? You decide. Dilwale Dulhania Le Jayenge (1995) Scene: Raj (SRK) engages in persistent pursuit of Simran (Kajol), often disregarding her consent and boundaries, romanticizing persistence despite initial rejection. Scene: After harassing Kajol for all this while, SRK quickly switches his full attention to Kajol's friend and starts flirting with her as soon as she arrives. Scene: Kajol dances wearing just a towel, the less we say the better. SRK appears to apologize to unsuspecting Kajol and once again insults her with a cheap prank. SRK fools Kajol that they slept together. SRK enters a shop that is closing and says he wants to buy medicine for his friend but buys a box of beer instead. When the shop keeper confronts him he does not show any respect and gets into a fight. SRK enters Kajol's pre-wedding house as a friend and starts to gain trust of every family member including Kajol's mother, he continues to romance with Kajol during this period under the very nose of her mother. His sole intent is to take Kajol with him even at the cost of breaking all the trust and love showered by Kajol's family members. Darr (1993) Scene: Rahul (SRK) exhibits obsessive and stalking behavior towards Kiran (Juhi Chawla), glorifying obsessive love and harassment. Kabhi Alvida Naa Kehna (2006) Scene: Dev (SRK) and Maya (Rani Mukerji) engage in an extramarital affair, questioning the sanctity of marriage and commitment. Devdas (2002) Scene: Devdas (SRK) descends into alcoholism and reckless behavior following unrequited love, normalizing self-destructive responses to romantic failure. Main Hoon Na (2004) Scene: Ram (SRK) disguises himself to be close to his love interest, using deception to win affection. Baazigar (1993) Scene: Ajay/Vicky (SRK) manipulates and exploits women for revenge, using deceit and betrayal. Dil Se.. (1998) Scene: Amar (SRK) persistently pursues Meghna (Manisha Koirala) despite her clear disinterest, romanticizing coercion. SRK offers cigarette to a lonely girl (Manisha) in Railway station. She tries to get rid of him by asking for a chai (Tea) and then she leaves in the next train before he arrives. SRK spots her in another city and forces her take that chai (tea) by visiting a near by dhaba etc. She denies know him multiple times, despite his advances. SRK being part of All India Radio, interviews a so called terrorist and asks him several questions about his motive. SRK then uses "All India Radio" to tell his personal encounter with this girl in full detail as though he is the victim. SRK once again sees her in a post office and approaches her in close physical proximity. The girl clearly tells do not follow me and SRK replies as No. She repeats that she is not interested and SRK tells that he does not agree. Then repeatedly tells that she does not like him again and he should stop following her. SRK accepts for a moment and when she leaves in the bus, he follows her. He reaches her house and starts shouting for her and she gets scared and comes out and pleads him to leave. He starts smoking a cigarette and asks her to come with him. She tells she is not that type of person. He says I have found you with so much of difficulty and how can I just leave you now. He threatens her that either she has to go tell her people or he will directly walk in and tell them. And when she questions him on what does he know about her, he replies - I know nothing, but I want you, after 5 seconds "Dil se". The film then romanticizes his one-way and indecent pursuit into a song. When he walks into her home and starts to pursue her again in front of the family members, she says she is a married woman. He asks with whom? and he is unable to digest it. He then discusses this with his female boss over a cigarette. She tells, it may just be an infatuation because he is in love with a married woman. He then once again informs the girl to meet him as he wants to apologize. This time the girl brings her people to confront him and teach him a lesson. They tell him that they are Pahadi (mountain) people and they follow some rules, since the girl is not interested he should not follow her. For this, SRK refuses and asks what will happen if he does not stop? He then gets beaten up by the men. SRK then angrily tells in your culture a woman can have 5 husbands (indicating what seems to be the problem). He asks the postman to give the phone number to which the girl keeps calling and when the postman refuses saying this is a Government office and such things can't be shared. SRK questions "What government office? you are the office, just take this money and give me the details". He again pursues here in a bus. He again stalks her after the bus breaks down. He tries to play the victim card saying he got cheated by her several times about her identity, he got beaten up because of her people. She refuses to talk to him and continues to move away, he grabs her. He then forces her. Like an animal he continues to force her despite she trying to fight her way out. He then forcibly kisses her repeatedly. Later, he continues as if nothing happened and does not even apologize. He then watches her as she takes bath. This indecent incident is glorified with a lustful song. The dance moves are made to appear that he should be rewarded for all his acts. Rab Ne Bana Di Jodi (2008) Scene: Surinder (SRK) creates a false identity to win over his wife Taani (Anushka Sharma), promoting deception in marital relationships. Kuch Kuch Hota Hai (1998) Scene: Rahul (SRK) dismisses and mocks traditional values and cultural practices during college, undermining traditional feminine virtues. Raees (2017) Scene: Raees (SRK) engages in illegal activities, including alcohol smuggling, and shows disrespect towards societal laws and ethical standards. These movies contain various scenes that, while often integral to the plot, showcase behaviors and themes contrary to the principles of Dharma, particularly regarding how women are treated and how marriages and relationships should be conducted according to traditional values. Disclaimer: Our intent is not to spread any hatred towards any particular person or community, instead we want to caution and clarify to people who believe in culture of Bharat that there are elements working through movies and other media to deviate the masses from their true culture.